Acting as an authority figure, I impose the blue lines upon the people in the room. Nothing is preventing them from being crossed, except for the power dynamic that has been created. The intervention is dependent on the reactions of the audience. Will they let themselves be separated, or will they resist? In the second part of the performance, the position of the ‘border maker’ begins to soften when I starts reading a personal letter to someone. The text speaks about desire and longing, about the implications of national borders, and the ways in which they separate people. The performance is ever changing and ever growing, each edition building upon the ones that came before. Two editions were shown at KIOSK, Ghent in 2025.